Corporeal Mime Workshop reserve by clicking Here

tom

WINTER WORKSHOP
"The Carpenter"

January 5 to 16, 2009
Monday to Friday Hours: 9am to 1pm
Location : Studio Philippe Genty, 40 Rue Sedaine, 75011, Paris

40 Hours / Cost : 280 Euros
participants encouraged to reserve in advance / limited inscriptions
Phone : Won +33 (0) 6 73 02 29 54
e-mail : won@pasdedieux.com
reserve online by clicking here

   
Thomas Leabhart

WORKSHOPS
2008/09



Thomas Leabhart

INVITATION to CONFERENCE AND DEMONSTRATION
January 10, 2009 Saturday
6pm
Théâtre du Lierre
- grand salle
22, rue Chevaleret - 75013 Paris
Metro: Bibliothèque François Mitterand
tél. : 01 45 86 55 83
Cost: Free with Reservation
Reserve online

 

WORKSHOP PROGRAM

* "Back Excercises"

* Corporeal Mime Technique: Scales, Counterweights, Dynamo-Rhythm, Figures of Style, Walks

* Study of “The Carpenter” – A repertory piece of Etienne Decroux

* Improvisations

* New Creations

 

THOMAS LEABHART

Student of Etienne Decroux from 1968 - 1972, Thomas Leabhart is Professor of Theatre and Resident Artist at Pomona College, and member of the Artistic Staff of ISTA (International School of Theatre Anthropology). He performs and teaches regularly in France, and has performed and taught workshops at the Museum of Design in Zurich, The Austrian Theatre Museum in Vienna, the National Museum of Ethnology in Osaka, the American Center in Montevideo, Movement Theatre International in Philadelphia, and many other venues. Editor of Mime Journal, he has authored more than thirty articles and Modern and Post Modern Mime (Macmillan in London and St. Martin's Press, NYC, 1989) and Etienne Decroux, Routledge Performance Practitioners (Routledge Press 2007).


THE CORPOREAL MIME OF ETIENNE DECROUX


Developed by Etienne Decroux, Corporeal Mime stems from the theatrical experiments of the early 20th century (Appia, Craig, and Copeau). Its objective is to place drama inside the moving body, rather than to substitute gesture for speech as in pantomime. Both sculptor and statue, the mime must apply principles that are at the heart of drama to movement: pause, hesitation, weight, resistance, and surprise.